No. 17, F/W 2002 Design, Inc. Commodification: Collaboration and Resistance

Design, Inc. Commodification: Collaboration and Resistance

No. 17

F/W 2002

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We have little choice but to adapt to a nasty bind: Work done for some reason other than making money—say, designing a great building—requires money. And making money almost always requires serving someone’s or some organization’s interests. No-strings-attached funding for efforts that surmount the payer’s interests is as rare as MacArthur “genius” grants. Even if, as Rick Poynor writes here, reviving the distinction between instrumental work and work for its own sake is crucial for the integrity of design, in practice the distinction gets blurred. 

The topic of this Harvard Design Magazine was developed well before 9/11. Now, in contrast, much of the design community is drawn, with thoughtful and spontaneous concern, to the challenge of transforming the emptiness of the World Trade Center site into something humane and responsive to grief. However, business as usual of course still rules. Those with the purse strings are those with the power. Opportunities for people to work for the common good—in design, publishing, teaching, architecture, urban planning, and landscape architecture, among other fields—have been decimated, even as the need for such work has increased. The world explored and criticized in the feature essays here is a world in which nothing is allowed to or can stand in the way of power’s pursuit of capital. But in the summer of 2002 roadblocks are being built, and it might not be foolish or naive to think that we might be entering a period, like the civil rights era in the early ’60s, when pursuit of the common good increases.

— William S. Saunders (excerpted from the introduction)

Table of Contents

Essays

Brand Aid

Michael Sorkin

“I Love DPRK”

Keller Easterling

Architecture for Sale(s)

Kevin Kelley

Dwelling Richness

Wouter Vanstiphout

Full of Shopping

Rachel Bowlby

Here Come the Hyper-Accumulators!

Niall Kirkwood

Hyphenation Nation

Rick Poynor

Issues in Recent German Exhibition Design

Jan Otakar Fischer

New York Art Museums as Mirrors

Mary Anne Staniszewski

Raestheticizing the Discipline

Belgin Turan-Ozkaya

Rocking for the Clampdown

Thomas Frank

Suburbia and its Discontents

Matthew J. Kiefer

Super Market

Paolo Tombesi

Toward Architectural Practice in the 21st Century

Carl Sapers

Reviews

Constructed Ground edited by Charles Waldheim

Jane Wolff

Eco-Economy by Lester Brown

Bill McKibben

The Historiography of Modern Architecture by Panayotis Tournikiotis

Christopher Long

The Invention of the Historic Monument by Francoise Choay

Brian Ladd

The Struggle for Modernism by Anthony Alofsin

Jill Pearlman
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