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2018

End of the Line?

End of the Line?

Justin D. Stern
No Free Rides

No Free Rides

Alice Bucknell
A Cut, a Move, a Forest

A Cut, a Move, a Forest

Fabrizio Gallanti
Nominal Versus Actual: A History of the 2x4

Nominal Versus Actual: A History of the 2x4

Oliver J. Curtis

2017

Born Goth

Born Goth

Luis Ortega Govela, Olivia Erlanger
Chill Not

Chill Not

Robin James
Life Begins at the Apocalypse Monster Club

Life Begins at the Apocalypse Monster Club

Enrique Ramirez
Park Powers

Park Powers

HECTOR
Sixteen plus One

Sixteen plus One

Moises Lino e Silva, Gareth Doherty

2016

Learning from the Steel

Learning from the Steel

Susan Nigra Snyder
Mammoth and Other Frozen Meats

Mammoth and Other Frozen Meats

Hi’ilei Julia Hobart

Home Safe

Geoff Manaugh
Reading Jane Jacobs in the Era of #BlackLivesMatter

Reading Jane Jacobs in the Era of #BlackLivesMatter

Stuart Schrader
Second Nature

Second Nature

Ralph Ghoche
Who’s Afraid of the Covered Face?

Who’s Afraid of the Covered Face?

Maryam Monalisa Gharavi

2015

Scenes from an Other Marriage

Scenes from an Other Marriage

James Voorhies
Soft Architecture

Soft Architecture

Eva Díaz
Zoned Out: Buildings and Bodies

Zoned Out: Buildings and Bodies

Lori Brown
Sculpo, Ergo Sum

Sculpo, Ergo Sum

Jörg Scheller
Seeing the Forest for the Trees

Seeing the Forest for the Trees

Hui Wang, Yuko Tsunetsugu, Julia Kane Africa
Valerio's Ark

Valerio’s Ark

Peter Sealy

2014

Body Boundaries

Body Boundaries

Jenna Sutela
A Wagnerian Music Drama

A Wagnerian Music Drama

Diébédo Francis Kéré
Black Box

Black Box

David Pascoe
The Tripping Subject

The Tripping Subject

Martti Kalliala
Who Pays for the Picture?

Who Pays for the Picture?

Alexandra Lange
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