The creation of place, of cities, buildings, and landscapes, has traditionally been conceived of as a conservative art, as the creation of lasting artifacts that embody the achievements and ideals of a civilization. But given the volatility of our age, and indeed the widespread perception that one era is ending and another beginning, we thought it timely to explore this idea—to explore the twin themes of durability and ephemerality. How are attitudes to the durability of artifacts changing? How is the built environment itself changing as a result of evolving ideas? Has durability become more valued as a hedge against the unease of rapid change? Or has it become less valued, perceived as irrelevant, nostalgic, unnecessary? How do such attitudes influence the styles in which we design buildings and landscapes? How do they influence the perceived role of the public and private realms? How do economic factors, e.g., the globalization of capital, the economics of real estate development,the costs of materials, figure in this? These are some of the questions we posed to contributors, who answer them in various ways in the essays that follow.
3: Durability and Ephemerality, plus Books on History and Theory Fall 1997

Table of Contents
Essays
“It’s the Economy, Stupid!”
20th-Century American Ruins
Enduring (Post)modernism
High Tech and such Misnomers
Intimations of Durability
Of Books, Bridges, and Durability
The Curse of Durability
The Durability of Reputation
The Euclidian Piazza
The Rugged Steed
Webs of Steel
Reviews
Architecture after Modernism by Diane Ghirardo
Differences by Ignasi de Solà-Morales
Inside Architecture by Vittorio Gregotti
Reconstructing Architecture edited by Thomas A. Dutton and Lian Hurst Mann
Thirteen Ways by Robert Harbison